Congrats to the 2018 and 1943 Hugo Award Finalists!

Announced today, we’re happy to share and congratulate those who made the shortlist for this years’ Hugo awards.

 

Best Novel

• The Collapsing Empire, by John Scalzi (Tor)
• New York 2140, by Kim Stanley Robinson (Orbit)
• Provenance, by Ann Leckie (Orbit)
• Raven Stratagem, by Yoon Ha Lee (Solaris)
• Six Wakes, by Mur Lafferty (Orbit)
• The Stone Sky, by N.K. Jemisin (Orbit)

Best Novella

• All Systems Red, by Martha Wells (Tor.com Publishing)
• “And Then There Were (N-One),” by Sarah Pinsker (Uncanny, March/April 2017)
• Binti: Home, by Nnedi Okorafor (Tor.com Publishing)
• The Black Tides of Heaven, by JY Yang (Tor.com Publishing)
• Down Among the Sticks and Bones, by Seanan McGuire (Tor.com Publishing)
• River of Teeth, by Sarah Gailey (Tor.com Publishing)

Best Novelette

• “Children of Thorns, Children of Water,” by Aliette de Bodard (Uncanny, July-August 2017)
• “Extracurricular Activities,” by Yoon Ha Lee (Tor.com, February 15, 2017)
• “The Secret Life of Bots,” by Suzanne Palmer (Clarkesworld, September 2017)
• “A Series of Steaks,” by Vina Jie-Min Prasad (Clarkesworld, January 2017)
• “Small Changes Over Long Periods of Time,” by K.M. Szpara (Uncanny, May/June 2017)
• “Wind Will Rove,” by Sarah Pinsker (Asimov’s, September/October 2017)

Best Short Story

• “Carnival Nine,” by Caroline M. Yoachim (Beneath Ceaseless Skies, May 2017)
• “Clearly Lettered in a Mostly Steady Hand,” by Fran Wilde (Uncanny, September 2017)
• “Fandom for Robots,” by Vina Jie-Min Prasad (Uncanny, September/October 2017)
• “The Martian Obelisk,” by Linda Nagata (Tor.com, July 19, 2017)
• “Sun, Moon, Dust” by Ursula Vernon, (Uncanny, May/June 2017)
• “Welcome to your Authentic Indian Experience™,” by Rebecca Roanhorse (Apex, August 2017)

Best Related Work

• Crash Override: How Gamergate (Nearly) Destroyed My Life, and How We Can Win the Fight Against Online Hate, by Zoe Quinn (PublicAffairs)
• Iain M. Banks (Modern Masters of Science Fiction), by Paul Kincaid (University of Illinois Press)
• A Lit Fuse: The Provocative Life of Harlan Ellison, by Nat Segaloff (NESFA Press)
• Luminescent Threads: Connections to Octavia E. Butler, edited by Alexandra Pierce and Mimi Mondal (Twelfth Planet Press)
• No Time to Spare: Thinking About What Matters, by Ursula K. Le Guin (Houghton Mifflin Harcourt)
• Sleeping with Monsters: Readings and Reactions in Science Fiction and Fantasy, by Liz Bourke (Aqueduct Press)

Best Graphic Story

• Black Bolt, Volume 1: Hard Time, written by Saladin Ahmed, illustrated by Christian Ward, lettered by Clayton Cowles (Marvel)
• Bitch Planet, Volume 2: President Bitch, written by Kelly Sue DeConnick, illustrated by Valentine De Landro and Taki Soma, colored by Kelly Fitzpatrick, lettered by Clayton Cowles (Image Comics)
• Monstress, Volume 2: The Blood, written by Marjorie M. Liu, illustrated by Sana Takeda (Image Comics)
• My Favorite Thing is Monsters, written and illustrated by Emil Ferris (Fantagraphics)
• Paper Girls, Volume 3, written by Brian K. Vaughan, illustrated by Cliff Chiang, colored by Matthew Wilson, lettered by Jared Fletcher (Image Comics)
• Saga, Volume 7, written by Brian K. Vaughan, illustrated by Fiona Staples (Image Comics)

Best Dramatic Presentation – Long Form

• Blade Runner 2049, written by Hampton Fancher and Michael Green, directed by Denis Villeneuve (Alcon Entertainment / Bud Yorkin Productions / Torridon Films / Columbia Pictures)
• Get Out, written and directed by Jordan Peele (Blumhouse Productions / Monkeypaw Productions / QC Entertainment)
• The Shape of Water, written by Guillermo del Toro and Vanessa Taylor, directed by Guillermo del Toro (TSG Entertainment / Double Dare You / Fox Searchlight Pictures)
• Star Wars: The Last Jedi, written and directed by Rian Johnson (Lucasfilm, Ltd.)
• Thor: Ragnarok, written by Eric Pearson, Craig Kyle, and Christopher Yost; directed by Taika Waititi (Marvel Studios)
• Wonder Woman, screenplay by Allan Heinberg, story by Zack Snyder & Allan Heinberg and Jason Fuchs, directed by Patty Jenkins (DC Films / Warner Brothers)

Best Dramatic Presentation – Short Form

• Black Mirror: “USS Callister,” written by William Bridges and Charlie Brooker, directed by Toby Haynes (House of Tomorrow)
• “The Deep” [song], by Clipping (Daveed Diggs, William Hutson, Jonathan Snipes)
• Doctor Who: “Twice Upon a Time,”written by Steven Moffat, directed by Rachel Talalay (BBC Cymru Wales)
• The Good Place: “Michael’s Gambit,”written and directed by Michael Schur (Fremulon / 3 Arts Entertainment / Universal Television)
• The Good Place: “The Trolley Problem,” written by Josh Siegal and Dylan Morgan, directed by Dean Holland (Fremulon / 3 Arts Entertainment / Universal Television)
• Star Trek: Discovery: “Magic to Make the Sanest Man Go Mad,” written by Aron Eli Coleite & Jesse Alexander, directed by David M. Barrett (CBS Television Studios)

Best Editor – Short Form

• John Joseph Adams
• Neil Clarke
• Lee Harris
• Jonathan Strahan
• Lynne M. Thomas & Michael Damian Thomas
• Sheila Williams

Best Editor – Long Form

• Sheila E. Gilbert
• Joe Monti
• Diana M. Pho
• Devi Pillai
• Miriam Weinberg
• Navah Wolfe

Best Professional Artist

• Galen Dara
• Kathleen Jennings
• Bastien Lecouffe Deharme
• Victo Ngai
• John Picacio
• Sana Takeda

Best Semiprozine

• Beneath Ceaseless Skies, editor-in-chief and publisher Scott H. Andrews
• The Book Smugglers, edited by Ana Grilo and Thea James
• Escape Pod, edited by Mur Lafferty, S.B. Divya, and Norm Sherman, with assistant editor Benjamin C. Kinney
• Fireside Magazine, edited by Brian White and Julia Rios; managing editor Elsa Sjunneson-Henry; special feature editor Mikki Kendall; publisher & art director Pablo Defendini
• Strange Horizons, edited by Kate Dollarhyde, Gautam Bhatia, A.J. Odasso, Lila Garrott, Heather McDougal, Ciro Faienza, Tahlia Day, Vanessa Rose Phin, and the Strange Horizons staff
• Uncanny Magazine, edited by Lynne M. Thomas & Michael Damian Thomas, Michi Trota, and Julia Rios; podcast produced by Erika Ensign & Steven Schapansky

Best Fanzine

• File 770, edited by Mike Glyer
• Galactic Journey, edited by Gideon Marcus
• Journey Planet, edited by Team Journey Planet
• nerds of a feather, flock together, edited by The G, Vance Kotrla, and Joe Sherry
• Rocket Stack Rank, edited by Greg Hullender and Eric Wong
• SF Bluestocking, edited by Bridget McKinney

Best Fancast

• The Coode Street Podcast, presented by Jonathan Strahan and Gary K. Wolfe
• Ditch Diggers, presented by Mur Lafferty and Matt Wallace
• Fangirl Happy Hour, presented by Ana Grilo and Renay Williams
• Galactic Suburbia, presented by Alisa Krasnostein, Alexandra Pierce and Tansy Rayner Roberts; produced by Andrew Finch
• Sword and Laser, presented by Veronica Belmont and Tom Merritt
• Verity!, presented by Deborah Stanish, Erika Ensign, Katrina Griffiths, L.M. Myles, Lynne M. Thomas, and Tansy Rayner Roberts

Best Fan Writer

• Camestros Felapton
• Sarah Gailey
• Mike Glyer
• Foz Meadows
• Charles Payseur
• Bogi Takács

Best Fan Artist

• Geneva Benton
• Grace P. Fong
• Maya Hahto
• Likhain (M. Sereno)
• Spring Schoenhuth
• Steve Stiles

Best Series

• The Books of the Raksura, by Martha Wells (Night Shade)
• The Divine Cities, by Robert Jackson Bennett (Broadway)
• InCryptid, by Seanan McGuire (DAW)
• The Memoirs of Lady Trent, by Marie Brennan (Tor US / Titan UK)
• The Stormlight Archive, by Brandon Sanderson (Tor US / Gollancz UK)
• World of the Five Gods, by Lois McMaster Bujold (Harper Voyager / Spectrum Literary Agency)

John W. Campbell Award for Best New Writer

• Katherine Arden
• Sarah Kuhn
• Jeannette Ng
• Vina Jie-Min Prasad
• Rebecca Roanhorse
• Rivers Solomon

---

1943 Retrospective Hugo Awards Finalists

Best Fan Writer

• Forrest J Ackerman
• Jack Speer
• Arthur Wilson “Bob” Tucker
• Harry Warner, Jr.
• Art Widner
• Donald A. Wollheim

Best Fanzine

• Futurian War Digest, edited by J. Michael Rosenblum
• Inspiration, edited by Lynn Bridges
• The Phantagraph, edited by Donald A. Wollheim
• Spaceways, edited by Harry Warner, Jr.
• Voice of the Imagi-Nation, edited by Forrest J Ackerman and Morojo
• Le Zombie, edited by Arthur Wilson “Bob” Tucker

Best Professional Artist

• Hannes Bok
• Margaret Brundage
• Edd Cartier
• Virgil Finlay
• Harold W. McCauley
• Hubert Rogers

Best Editor – Short Form

• John W. Campbell
• Oscar J. Friend
• Dorothy McIlwraith
• Raymond A. Palmer
• Malcolm Reiss
• Donald A. Wollheim

Best Dramatic Presentation – Short Form

• Bambi, written by Perce Pearce, Larry Morey, et al., directed by David D. Hand et al. (Walt Disney
  Productions)
• Cat People, written by DeWitt Bodeen, directed by Jacques Tourneur (RKO Radio Pictures, Inc.)
• The Ghost of Frankenstein, written by W. Scott Darling, directed by Erle C. Kenton (Universal Pictures)
• I Married a Witch, written by Robert Pirosh and Marc Connelly, directed by René Clair (Cinema Guild
  Productions / Paramount Pictures)
• Invisible Agent, written by Curtis Siodmak, directed by Edwin L. Marin (Frank Lloyd Productions /
  Universal Pictures)
• Rudyard Kipling’s Jungle Book, written by Laurence Stallings, directed by Zoltan Korda (Alexander Korda
  Films, Inc. / United Artists)

Best Short Story

• “Etaoin Shrdlu,” by Fredric Brown (Unknown Worlds, February 1942)
• “Mimic,” by Martin Pearson (Donald A. Wollheim) (Astonishing Stories, December 1942)
• “Proof,” by Hal Clement (Astounding Science Fiction, June 1942)
• “Runaround,” by Isaac Asimov (Astounding Science Fiction, March 1942)
• “The Sunken Land,” by Fritz Leiber (Unknown Worlds, February 1942)
• “The Twonky,” by C.L. Moore and Henry Kuttner (Astounding Science Fiction, September 1942)

Best Novelette

• “Bridle and Saddle,” by Isaac Asimov (Astounding Science Fiction, June 1942)
• “Foundation,” by Isaac Asimov (Astounding Science Fiction, May 1942)
• “Goldfish Bowl,” by Anson MacDonald (Robert A. Heinlein) (Astounding Science Fiction, March 1942)
• “The Star Mouse,” by Fredric Brown (Planet Stories, Spring 1942)
• “There Shall Be Darkness,” by C.L. Moore (Astounding Science Fiction, February 1942)
• “The Weapon Shop,” by A.E. van Vogt (Astounding Science Fiction, December 1942)

Best Novella

• “Asylum,” by A.E. van Vogt (Astounding Science Fiction, May 1942)
• “The Compleat Werewolf,” by Anthony Boucher (Unknown Worlds, April 1942)
• “Hell is Forever,” by Alfred Bester (Unknown Worlds, August 1942)
• “Nerves,” by Lester del Rey (Astounding Science Fiction, September 1942)
• “The Unpleasant Profession of Jonathan Hoag,” by John Riverside (Robert A. Heinlein) (Unknown
  Worlds, October 1942)
• “Waldo,” by Anson MacDonald (Robert A. Heinlein) (Astounding Science Fiction, August 1942)

Best Novel

• Beyond This Horizon, by Anson MacDonald (Robert A. Heinlein) (Astounding Science Fiction, April & May
  1942)
• Darkness and the Light, by Olaf Stapledon (Methuen / S.J.R. Saunders)
• Donovan’s Brain, by Curt Siodmak (Black Mask, September-November 1942)
• Islandia, by Austin Tappan Wright (Farrar & Rinehart)
• Second Stage Lensmen, by E. E. “Doc” Smith (Astounding Science Fiction, November 1941 to February
  1942)
• The Uninvited, by Dorothy Macardle (Doubleday, Doran / S.J.R. Saunders

The winners will be announced this August at the 76th WorldCon in San Jose, California.