Reviews,  RLovatt

An Ember in the Ashes by Sabaa Tahir : Review

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Laia is a slave. Elias is a soldier. Neither is free.

Under the Martial Empire, defiance is met with death. Those who do not vow their blood and bodies to the Emperor risk the execution of their loved ones and the destruction of all they hold dear.

It is in this brutal world, inspired by ancient Rome, that Laia lives with her grandparents and older brother. The family ekes out an existence in the Empire’s impoverished backstreets. They do not challenge the Empire. They’ve seen what happens to those who do.

But when Laia’s brother is arrested for treason, Laia is forced to make a decision. In exchange for help from rebels who promise to rescue her brother, she will risk her life to spy for them from within the Empire’s greatest military academy.

There, Laia meets Elias, the school’s finest soldier—and secretly, its most unwilling. Elias wants only to be free of the tyranny he’s being trained to enforce. He and Laia will soon realize that their destinies are intertwined—and that their choices will change the fate of the Empire itself.

 

An Ember in the Ashes by Sabaa Tahir is a good read. It’s engaging enough to be engrossing, and has enough character development and action to keep readers hooked. This review isn’t going to be pretty, but one thing for sure is that Sabaa Tahir can definitely write. I personally may have found some things lacking, but her prose was unfaltering. With some refinement that we’ll hopefully see in future novels, I think she could even be excellent.

That being said, I was disappointing in An Ember in the Ashes. I had high hopes for this title, and all the other reviews that I had read seemed overwhelmingly positive. I agree, in large part, with them. However, for me, An Ember in the Ashes wasn’t enough. For those of you whom have been reading fantasy (or really, any genre fiction) for any length of time, the love triangles, and almost all plot twists/major developments will be painfully predictable. I can see this as being a good read for someone who needs something “light” after reading a heavy series, or for readers just getting into the genre.

It’s odd to call this book light, when it’s set in a world with merciless killings, brutality, and the fact rape is used as a plot device to move the story along (I’m not opening that can of worms in this review though.) It still managed to feel like a lighter read though, due to the fact that we’re only told about the brutality of the world, never really shown besides for at the very beginning of the book. This — the telling and not showing, did lead to a disappointing lack in world building. I’m hoping it’s something that gets expanded upon in the sequel, and that we do get to see more of the world and get some actual descriptions; as it stands, it kind of felt flat, as though the backdrop of a play was changed and barely alluded to.

I don’t mean for this to sound all bad. I got through this book in a couple of sittings, and I will probably read the sequel when it comes out. I didn’t love this book, I didn’t think it was a sensational masterpiece, or even really innovative, but I did enjoy it. Based on other reviews, and the fact that Paramount optioned it in a 7-figure deal does clearly show that it’s a loved book, just not by me.


If you’re interested, we’ve included a brief sample of the audiobook:

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Rebecca created The Arched Doorway back in 2011 as an outlet for her thoughts on the books she reads. She spends her time as a freelance editor and reviewer. Her first anthology, Neverland's Library, came out in 2014 from Ragnarok Publications. Rebecca primarily reads historical and epic fantasy novels, such as those by Brandon Sanderson, Robert Jordan, Christian Cameron and Terry Brooks. She lives in Toronto, ON with her two snakes and hundreds of books.

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